The Worker and Kolkhoz Woman. Flag of purpose of art pdf Soviet Union. 1922 declined considerably, and was eventually disbanded in 1932.
In the spring of 1932, the Central Committee of the Communist Party decreed that all existing literary and artistic groups and organizations should be disbanded and replaced with unified associations of creative professions. Accordingly, the Moscow and Leningrad Union of Artists was established on August 1932, which brought the history of post-revolutionary art to a close. The epoch of Soviet art began. Gerasimov’s studio than he did attending to his duties in the People’s Commissariat of Defense.
Gerasimov’s painting shows a mastery of classical representational techniques. A great number of landscapes, portraits, genre paintings and studies exhibited at the time pursued purely technical purposes and were thus free from any ideology. Thematic painting was also approached in a similar way. 50s were in their prime.
They were quick to present their art, they strived for experiments and were eager to appropriate a lot and to learn even more. Art of this period showed extraordinary taste for life and creative work. In 1957, the first all-Russian Congress of Soviet artists took place in Moscow. In 1960, the all-Russian Union of Artists was organized. Accordingly, these events influenced the art life in Moscow, Leningrad and province. Images of youths and students, rapidly changing villages and cities, virgin lands brought under cultivation, grandiose construction plans being realized in Siberia and the Volga region, great achievements of Soviet science and technology became the chief topics of the new painting.
At this period, life provided artists with plenty of thrilling topics, positive figures and images. Although no official change in policy took place, artists began to feel free to experiment in their work, with considerably less fear of repercussions than during the Stalinist period. Artists who chose to paint in alternative styles had to do so completely in private and were never able to exhibit or sell their work. Zverev’s selfportrait were associated by many with an eternal Biblical struggle of Satan and Saviour. When Khrushchev learned about the publication he was outraged and forbade all contacts with Western visitors, closed down all semi legal exhibitions. And of course Zverev was the main target of his outrage. Artists took advantage of the first few years after the death of Stalin to experiment in their work without the fear of persecution.